News
News Home
Quick Bites
Exploradio
News Archive
News Channel
Special Features
NPR
nowplaying
On AirNewsClassical
Loading...
  
School Closings
WKSU Support
Funding for WKSU is made possible in part through support from the following businesses and organizations.

Hospice of the Western Reserve

Wayside Furniture

Northeast Ohio Medical University


For more information on how your company or organization can support WKSU, download the WKSU Media Kit.

(WKSU Media Kit PDF icon )


Donate Your Vehicle to WKSU

Programs Schedule Make A Pledge Member BenefitsFAQ/HelpContact Us
Arts and Entertainment


Giant metal sculptures and wall hangings on view at the Akron Art Museum
The exhibition premieres in Akron and will travel in the fall to museums nationwide.
by WKSU's VIVIAN GOODMAN


Reporter
Vivian Goodman
 
El Anatsui will visit Akron during the exhibition.
Courtesy of Susan M. Vogel from "Fold Crumple Crush."
Download (WKSU Only)
In The Region:

This week the Akron Art Museum celebrates its 90th anniversary in a really big way. Twelve gargantuan sculptures go on display in the premiere exhibition of a nationwide tour.  WKSU’s Vivian Goodman reports the choice of artist is natural because Akron was the first museum in the country to collect his monumental work.

Click to listen

Other options:
Windows Media / MP3 Download (5:57)




El Anatsui’s metal tapestry, “Dzesi II,” 10 feet tall and 16 feet wide, covers an entire wall of the Akron Art Museum – It arrived as soon as there was room for it with the building’s expansion five years ago,  and museum staff says it’s been popular with visitors ever since.

The art arrived rolled up like blankets.

Contemporary art tends to be large, but the Nigerian artist El Anatsui’s work is beyond huge. The 12 metal sculptures and wall hangings in the exhibition titled “Gravity and Grace” overflow the galleries into the lobby.

Beyond its enormity, the way the art is made and displayed makes it unique.

El Anatsui obtains hundreds of thousands of discarded milk- tin lids  -- as well as whiskey, gin, and rum bottle screw-tops -- from mounds of detritus easily found in West Africa, where recycling is rare.

He directs assistants to crush, crumple, twist and flatten the tiny bits of metal and then thread them together into shimmering, highly textured and richly colored sheets.

Milk tin lids evoke the legacy of colonialism. Nigerian children still need the milk delivered by charities in tins.

Anatsui then gives museum staff artistic license to configure the work by bending, twisting, draping, and shaping the flat sheets into forms.

“We sort of established how to handle the work in 2006 when we first purchased his art work,” says Collections Manager Arnie Tunstall.

“The big metal pieces are like a big doily," he adds. "They’re also relatively fragile in that they are sewn together by little bits of copper wire. So care has to be taken, very delicate care. … Also, we have to protect ourselves because we are dealing with rusted metal and sharp edges so we’re wearing layers of gloves to keep ourselves from being cut.”

the milk tin lids and liquor bottle caps are rusted and rough-edged requiring handlers to wear thick gloves.

The installation process is collaborative as was the making of the art itself, but Akron’s curator, Ellen Rudolph, has the final say.

The art arrived at the museum folded up like blankets, and she says it’s almost like working with fabric.

“They have the quality of a textile in that they are sort of formless. They can be scrunched- up, expanded, contracted, folded-up,” Rudolph says.

El Anatsui is a big man in his mid-60s, modest and soft-spoken.  He’s been an art professor for three decades.

He says he uses discarded materials because they are filled with meaning.

“The materials are liquor bottle caps, whiskey, brandy, gin and the rest. The Europeans when they first came to Africa, liquor was one of the items that they brought and then traded them initially for other goods like gold and the rest, but eventually it was traded for people as well. ” 

The sheets are colorful because many different brands of bottle top lids are used.

For curator Rudolph,  Anatsui’s  choice of materials is in keeping with the artist’s cultural context and reflects a legacy of colonialism, rampant consumerism and waste.

“He often talks about liquor as at the very beginning of contact between Europe and Africa," Rudolph says, "and it became a commodity that has a very complex social history. “

As for the milk tins, “there’s also an interesting social and political dynamic. Milk is imported from Europe. But also, in Nigeria, there isn’t a really well-structured recycling system, so you’ve got these recycling markets where you can find anything and everything. But it’s a problem and these kind of accumulations that he creates sort of reflect that: Where do we go with all of this material that is accumulating in the world and how does it reflect our patterns of consumption.”

 

It took a lot of time and a lot of collaboration to create the perfect way to configure El Anatsui's art.Rudolph says El Anatsui’s collaborative method -- letting assistants do the hands-on work -- is born of necessity.

“No one person could piece together thousands and thousands of bottle caps and make more than one piece a year probably,” Rudolph says.

But she says his method also shows a rare humility.

“He’s a very quiet person who likes to keep to himself. Often you think of artists putting so much ego  - even the kind of stereotype of the Jackson Pollack-type persona that pours so much of himself into the making of the work. And here you have an artist who actually outsources the manual labor part.”

It’s El Anatsui’s outsourcing of the actual installation, though, that inspires the Akron Art Museum’s chief preparator, Joe Walton.

“We’re able to add different components to it, lengthen pieces of it, actually space it out in the gallery. So it’s actually going to be different than anywhere it’s ever been installed before,” Walton says.

He had to construct special rigging to hoist the clangy, jangly, metal blankets.  One of the works, entitled "Glee," arrived in separate pieces.

“Some of the pieces we’re dealing with are 12 feet high by 36 feet long so there’s special pulley-system rigging hardware that we’re going to use to get them on the wall safely.  It’s challenging, but this is probably one of the funnest installs we’ve had to work on.”

Curator Rudolph agrees.

“It’s really quite a gift that El Anatsui gives to the people who install his exhibitions because it’s really an opportunity to exercise your creative mind and your vision,” she says.

She says the works that are a permanent part of Akron’s exhibits have become “a favorite among so many of our visitors, and work that we’re particularly proud of owning because we purchased it at a time when so many other museums were still looking at this artist as an African artist whose work belonged in the context of African collections. We were looking at his work as something to add to the larger contemporary art dialogue.”

The metal sheets are very delicate and held together only by copper wires.

She acknowledges, though, that she’s a little nervous.

“It’s a little intimidating to think about the artist coming and seeing what we’ve done, how we’ve interpreted his work, but it’s also a really wonderful process.”

Most of the metal sculptures and tapestries in the Akron Art Museum’s exhibition “Gravity and Grace: Monumental Works by El Anatsui  have never before been seen in America. After the exhibition closes in Akron in early October, it will move to museums from coast to coast through 2014.

(Click image for larger view.)


Related Links & Resources
Akron Art Museum website

Listener Comments:

Me enamore desde que la vi, simplemente MARAVILLOSO!!!!!!!!!!!!!!!!


Posted by: Clara Luz Gils (Buenos Aires- Argentina) on June 23, 2012 4:06AM
This is an absolutely wonderful exhibit...I urge everyone to find the opportunity to see it...


Posted by: susan (akron) on June 18, 2012 5:06AM
Add Your Comment
Name:

Location:

E-mail: (not published, only used to contact you about your comment)


Comments:




 
Page Options

Print this page

E-Mail this page / Send mp3

Share on Facebook




Stories with Recent Comments

Crystal Ball says Ohio governor's race is done
How much is the Kasich campaign paying you to keep repeating the phrase "woman who is not his wife"? Fitzgerald was in the car with a friend who happens to be f...

Plane that crashed killing Case students is a popular training aircraft
The following is incorrect. The last few words should read "UNDER maximum gross take-off weight." “They have a normal take-off speed and all those take-off...

Exploradio: The never-ending war against superbugs
Super Federico ,we are so proud of you ,and very lucky to be among your friends . Keep it up human kind needs people like you to survive .Thanks for being so d...

Ohio's Lyme disease-carrying tick population is exploding
Interesting report. The last sentence needs some editing. It isn't a good idea to "save garments carrying ticks for analysis." The garments carrying t...

Teach for America enters third year in Ohio
For more background on TFA, check out http://reconsideringtfa.wordpress.com/

Faith leaders hold week-long prayer vigil at Ohio Statehouse
I think this is the wrong link to the audio. Its Andy Chow about cigarette taxes.

A $30 million plan to turn Cleveland's Public Square from gray to green
The current plan is for the Land Bank, RTA, and Mr. Jeremy Paris to run a bus line through the new Public Square and cutting the park in half. Save Public Squar...

Medina County residents question safety of proposed natural gas pipeline
I'm very concerned about this nexus project. I've received mail requesting my permission to allow the company to survey my property. I don't understand how thi...

A small group of tea party and Democrats protest at Kasich campaign stop
Enjoyed your excellent coverage of the statehouse for sometime now, never dreamed I'd be on. The feedback from people has been great. Thank you. Doris Adams

Top staffers are leaving the FitzGerald gubernatorial campaign
I's too bad that the dirt on Fitzgerald dug up by Kasich's operatives and publicized heavily by the Yellow Plain Dealer has caused the weak staffers of the Fitz...

Copyright © 2014 WKSU Public Radio, All Rights Reserved.

 
In Partnership With:

NPR PRI Kent State University

listen in windows media format listen in realplayer format Car Talk Hosts: Tom & Ray Magliozzi Fresh Air Host: Terry Gross A Service of Kent State University 89.7 WKSU | NPR.Classical.Other smart stuff. NPR Senior Correspondent: Noah Adams Living on Earth Host: Steve Curwood 89.7 WKSU | NPR.Classical.Other smart stuff. A Service of Kent State University