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	<title>WKSU Classical Music &#187; interpretation</title>
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		<title>C P E Bach on Interpretation</title>
		<link>http://www.wksu.org/classical/2011/05/24/c-p-e-bach-on-interpretation/</link>
		<comments>http://www.wksu.org/classical/2011/05/24/c-p-e-bach-on-interpretation/#comments</comments>
		<pubDate>Wed, 25 May 2011 01:49:29 +0000</pubDate>
		<dc:creator>David Roden</dc:creator>
				<category><![CDATA[Quotations]]></category>
		<category><![CDATA[interpretation]]></category>

		<guid isPermaLink="false">http://www.wksu.org/classical/?p=1840</guid>
		<description><![CDATA[A performer cannot move others unless he is also moved. He must feel all of the affects he hopes to arouse in his audience. A mere technician can lay no claim to the rewards of those who sway the heart rather than the ear &#8230; one meets technicians who astound us with their prowess, without [...]]]></description>
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		<title>Did Scarlatti Play the Piano?</title>
		<link>http://www.wksu.org/classical/2011/02/06/did-scarlatti-play-the-piano/</link>
		<comments>http://www.wksu.org/classical/2011/02/06/did-scarlatti-play-the-piano/#comments</comments>
		<pubDate>Sun, 06 Feb 2011 15:00:11 +0000</pubDate>
		<dc:creator>David Roden</dc:creator>
				<category><![CDATA[Program Notes]]></category>
		<category><![CDATA[Cristofori]]></category>
		<category><![CDATA[fortepiano]]></category>
		<category><![CDATA[harpsichord]]></category>
		<category><![CDATA[interpretation]]></category>
		<category><![CDATA[piano]]></category>
		<category><![CDATA[Scarlatti]]></category>

		<guid isPermaLink="false">http://www.wksu.org/classical/?p=161</guid>
		<description><![CDATA[From the Middle Ages, Italy&#8217;s Medici family was a magnet for artists and artisans, who created extraordinary works under the family&#8217;s generous patronage. In 1688, Florence&#8217;s Grand Prince Ferdinando de’ Medici hired Bartolomeo Cristofori, then 33 years old, to look after his collection of harpsichords. This was an important position: Cristofori was paid as much [...]]]></description>
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		<title>Baroque Piano</title>
		<link>http://www.wksu.org/classical/2008/06/23/baroque-piano/</link>
		<comments>http://www.wksu.org/classical/2008/06/23/baroque-piano/#comments</comments>
		<pubDate>Mon, 23 Jun 2008 20:05:24 +0000</pubDate>
		<dc:creator>David Roden</dc:creator>
				<category><![CDATA[Quotations]]></category>
		<category><![CDATA[Bruce Haynes]]></category>
		<category><![CDATA[interpretation]]></category>

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		<description><![CDATA[Let’s &#8230; imagine one of Brahms’s piano concertos played on a harpsichord. &#160; Absurd idea &#8212; but is it any more absurd than Bach’s harpsichord concertos played on the modern grand? &#160; &#8211; Oboist Bruce Haynes, The End of Early Music]]></description>
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		<title>Jazzy Classical?</title>
		<link>http://www.wksu.org/classical/2008/05/05/jazzy-classical/</link>
		<comments>http://www.wksu.org/classical/2008/05/05/jazzy-classical/#comments</comments>
		<pubDate>Mon, 05 May 2008 20:35:24 +0000</pubDate>
		<dc:creator>David Roden</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Baroque]]></category>
		<category><![CDATA[folk music]]></category>
		<category><![CDATA[interpretation]]></category>
		<category><![CDATA[Jaervi]]></category>
		<category><![CDATA[Jarvi]]></category>

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		<description><![CDATA[I was just reading about the Estonian conductor, Kristjan J&#228;rvi, yet another baton-wielding member of that intensely musical family. In a recent piece for The Australian, Matthew Westwood writes of J&#228;rvi&#8217;s crusade to bring more improvisation to the concert hall. &#34;It is really important to make the performers feel that they have freedom, that they [...]]]></description>
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		<title>On Playing Baroque Music</title>
		<link>http://www.wksu.org/classical/2008/05/01/on-playing-baroque-music/</link>
		<comments>http://www.wksu.org/classical/2008/05/01/on-playing-baroque-music/#comments</comments>
		<pubDate>Thu, 01 May 2008 20:29:37 +0000</pubDate>
		<dc:creator>David Roden</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Baroque]]></category>
		<category><![CDATA[Dolmetsch]]></category>
		<category><![CDATA[interpretation]]></category>

		<guid isPermaLink="false">http://www.wksu.org/classical/?p=35</guid>
		<description><![CDATA[It is difficult for a modern musician, trained to play what is before his eyes, to realize that the author [composer] did not intend his text [notes] to be followed. &#160; &#8211; Arnold Dolmetsch]]></description>
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