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	<title>WKSU Classical Music &#187; Baroque</title>
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		<title>&quot;Well Tempered&quot;?  What&#8217;s That?</title>
		<link>http://www.wksu.org/classical/2010/06/20/meaning-of-well-tempered/</link>
		<comments>http://www.wksu.org/classical/2010/06/20/meaning-of-well-tempered/#comments</comments>
		<pubDate>Sun, 20 Jun 2010 16:00:42 +0000</pubDate>
		<dc:creator>David Roden</dc:creator>
				<category><![CDATA[Baroque Era]]></category>
		<category><![CDATA[Baroque]]></category>
		<category><![CDATA[scale]]></category>
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		<description><![CDATA[Well Tempered Clavier Title Page(Wikimedia Commons) Well-Tempered Clavier. What kind of a title is that, anyway? If you have a vague idea that it has something to do with how good the clavier (whatever that is) sounds, you&#8217;re cruising round the right neighborhood. The musical octave &#8211; from C to C on the piano keyboard, [...]]]></description>
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		<title>Jazzy Classical?</title>
		<link>http://www.wksu.org/classical/2008/05/05/jazzy-classical/</link>
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		<pubDate>Mon, 05 May 2008 20:35:24 +0000</pubDate>
		<dc:creator>David Roden</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Baroque]]></category>
		<category><![CDATA[folk music]]></category>
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		<category><![CDATA[Jaervi]]></category>
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		<description><![CDATA[I was just reading about the Estonian conductor, Kristjan J&#228;rvi, yet another baton-wielding member of that intensely musical family. In a recent piece for The Australian, Matthew Westwood writes of J&#228;rvi&#8217;s crusade to bring more improvisation to the concert hall. &#34;It is really important to make the performers feel that they have freedom, that they [...]]]></description>
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		<title>On Playing Baroque Music</title>
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		<pubDate>Thu, 01 May 2008 20:29:37 +0000</pubDate>
		<dc:creator>David Roden</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Baroque]]></category>
		<category><![CDATA[Dolmetsch]]></category>
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		<description><![CDATA[It is difficult for a modern musician, trained to play what is before his eyes, to realize that the author [composer] did not intend his text [notes] to be followed. &#160; &#8211; Arnold Dolmetsch]]></description>
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