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	<title>WKSU Classical Music &#187; audience development</title>
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		<title>Rethinking Classical Concerts</title>
		<link>http://www.wksu.org/classical/2009/08/04/rethinking-classical-concerts/</link>
		<comments>http://www.wksu.org/classical/2009/08/04/rethinking-classical-concerts/#comments</comments>
		<pubDate>Tue, 04 Aug 2009 23:26:47 +0000</pubDate>
		<dc:creator>David Roden</dc:creator>
				<category><![CDATA[audience development]]></category>
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		<guid isPermaLink="false">http://www.wksu.org/classical/?p=757</guid>
		<description><![CDATA[Concerts used to be much more of a free-for-all &#8230; Somewhere along the line, we have forgotten that great music can be rude and visceral; we have put conductors on pedestals, and turned our audiences into passive subjects. &#8211; Charles Hazlewood, The Guardian Further reading: Why classical concerts need a breath of fresh air in [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>The New Media Orchestra</title>
		<link>http://www.wksu.org/classical/2009/07/01/the-new-media-orchestra/</link>
		<comments>http://www.wksu.org/classical/2009/07/01/the-new-media-orchestra/#comments</comments>
		<pubDate>Wed, 01 Jul 2009 21:04:13 +0000</pubDate>
		<dc:creator>David Roden</dc:creator>
				<category><![CDATA[audience development]]></category>
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		<category><![CDATA[Cleveland Orchestra]]></category>
		<category><![CDATA[new media]]></category>

		<guid isPermaLink="false">http://www.wksu.org/classical/?p=552</guid>
		<description><![CDATA[Could this be in Severance Hall&#8217;s future?(Severance photo: Richard Scheinin; composite by the author) Once upon a time, success in classical music, as in business, was pretty straightforward. If an orchestra played good music well, and infused it with commitment and emotional involvement, people came to their concerts. A few ads in the newspaper, on [...]]]></description>
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		<slash:comments>5</slash:comments>
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		<title>Classical Music?  Fashionable?</title>
		<link>http://www.wksu.org/classical/2009/06/05/classical-music-fashionable/</link>
		<comments>http://www.wksu.org/classical/2009/06/05/classical-music-fashionable/#comments</comments>
		<pubDate>Fri, 05 Jun 2009 04:17:54 +0000</pubDate>
		<dc:creator>David Roden</dc:creator>
				<category><![CDATA[audience development]]></category>
		<category><![CDATA[Quotations]]></category>

		<guid isPermaLink="false">http://www.wksu.org/classical/?p=448</guid>
		<description><![CDATA[Classical music remains deeply unfashionable. That’s why it has lasted. &#8211; Andrew Clark, Financial Times Further reading: Is classical music trying to be fashionable? in the Financial Times Share This Entry:]]></description>
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		<slash:comments>1</slash:comments>
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		<title>Helping Orchestras Experiment</title>
		<link>http://www.wksu.org/classical/2008/07/22/helping-orchestras-experiment/</link>
		<comments>http://www.wksu.org/classical/2008/07/22/helping-orchestras-experiment/#comments</comments>
		<pubDate>Tue, 22 Jul 2008 22:47:59 +0000</pubDate>
		<dc:creator>David Roden</dc:creator>
				<category><![CDATA[audience development]]></category>
		<category><![CDATA[Carnegie Hall]]></category>
		<category><![CDATA[festivals]]></category>
		<category><![CDATA[Morris]]></category>

		<guid isPermaLink="false">http://www.wksu.org/classical/?p=159</guid>
		<description><![CDATA[How do you get to Carnegie Hall? Creativity and courage. Here&#8217;s a tried and true formula for orchestral programs (I mean in the concert hall, not necessarily on the radio, though I&#8217;ve assembled such hours of music many times). Before intermission, play a short curtain-raiser, then launch into a substantial work. Often the second work [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Classical Music in China: A Closer Look</title>
		<link>http://www.wksu.org/classical/2008/06/30/classical-china-closer-look/</link>
		<comments>http://www.wksu.org/classical/2008/06/30/classical-china-closer-look/#comments</comments>
		<pubDate>Mon, 30 Jun 2008 22:01:47 +0000</pubDate>
		<dc:creator>David Roden</dc:creator>
				<category><![CDATA[audience development]]></category>
		<category><![CDATA[China]]></category>

		<guid isPermaLink="false">http://www.wksu.org/classical/?p=138</guid>
		<description><![CDATA[Now that the Cultural Revolution is history and classical music is no longer banned as cultural pollution, it seems to be growing apace in China. Recently I noted here that China is home to the world&#8217;s largest piano manufacturer &#8212; and that it sells most of its instruments in its own nation. American conductor Lorin [...]]]></description>
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		<slash:comments>1</slash:comments>
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		<title>Leaving the Concert Hall Behind</title>
		<link>http://www.wksu.org/classical/2008/06/13/leaving-concert-hall-behind/</link>
		<comments>http://www.wksu.org/classical/2008/06/13/leaving-concert-hall-behind/#comments</comments>
		<pubDate>Fri, 13 Jun 2008 05:38:42 +0000</pubDate>
		<dc:creator>David Roden</dc:creator>
				<category><![CDATA[audience development]]></category>
		<category><![CDATA[concerts]]></category>
		<category><![CDATA[promotion]]></category>
		<category><![CDATA[venues]]></category>

		<guid isPermaLink="false">http://www.wksu.org/classical/?p=107</guid>
		<description><![CDATA[On Sunday, the 4th of May (2008), the Chiara String Quartet performed Mozart, Beethoven, and Brahms in Wooster&#8217;s Gault Recital Hall as part of the Wooster Chamber Music Series. Chiara also played the previous Saturday evening &#8212; but not in Gault. Their 3 May concert was at Cleveland&#8217;s jazz club, Nighttown. As far as I [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Taking It To the Streets</title>
		<link>http://www.wksu.org/classical/2008/05/05/taking-it-to-the-streets/</link>
		<comments>http://www.wksu.org/classical/2008/05/05/taking-it-to-the-streets/#comments</comments>
		<pubDate>Mon, 05 May 2008 20:55:57 +0000</pubDate>
		<dc:creator>David Roden</dc:creator>
				<category><![CDATA[audience development]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[concerts]]></category>
		<category><![CDATA[Haimovitz]]></category>
		<category><![CDATA[promotion]]></category>
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		<description><![CDATA[Can you make classical music popular by performing it in places where popular music is played? Some musicians apparently think so. Good local musicians have been toiling largely unheralded in upscale cafes and tea rooms for years, usually for a pittance. But as far as I know, cellist Matt Haimovitz was one of the first [...]]]></description>
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