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January 7, 2009
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Classical Music

Beaux Arts TrioOver a half-century on, the ensemble that was arguably the world's most famous piano trio is no more. They've played their finale where they made their 1955 debut -- the Tanglewood Festival.

It's a poignant moment for me, as a classical announcer and music director. "Beaux Arts" was one of the first names I learned to pronounce when I first started announcing classical music almost 35 years ago! But of course what I really remember them for is their unflagging musicianship. They brought Haydn's trios to my attention, infused Schubert with an unmatched poetry, and captured the anguish and intensity of the Shostakovich e-minor trio like no one else ever has.

The Beaux Arts Trio I remember best is that group -- Menahem Pressler, Isidore Cohen, and Bernard Greenhouse. They've been through several personnel changes since, most recently landing the promising young violinist Daniel Hope in 2002.

It's partly Hope's career trajectory that's helped to seal the trio's fate. It's certainly not Pressler's. At 84, founding pianist Menahem Pressler is still going strong and intends to forge ahead with a full performance and teaching schedule. But Hope is leaving to pursue his developing solo career. Pressler and cellist Antonio Meneses say they can't face "breaking in" yet another violinist.

I'll miss them, and I'm sure you will too. But every end has its concomitant beginning. With luck their departure will spur reissues of the trio's voluminous older catalog on CD, or at least on downloads.

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