Over a half-century on, the ensemble that was arguably the world’s most famous piano trio is no more. They’ve played their finale where they made their 1955 debut — the Tanglewood Festival.

It’s a poignant moment for me, as a classical announcer and music director. "Beaux Arts" was one of the first names I learned to pronounce when I first started announcing classical music almost 35 years ago! But of course what I really remember them for is their unflagging musicianship. They brought Haydn’s trios to my attention, infused Schubert with an unmatched poetry, and captured the anguish and intensity of the Shostakovich e-minor trio like no one else ever has.

The Beaux Arts Trio I remember best is that group — Menahem Pressler, Isidore Cohen, and Bernard Greenhouse. They’ve been through several personnel changes since, most recently landing the promising young violinist Daniel Hope in 2002.

It’s partly Hope’s career trajectory that’s helped to seal the trio’s fate. It’s certainly not Pressler’s. At 84, founding pianist Menahem Pressler is still going strong and intends to forge ahead with a full performance and teaching schedule. But Hope is leaving to pursue his developing solo career. Pressler and cellist Antonio Meneses say they can’t face "breaking in" yet another violinist.

I’ll miss them, and I’m sure you will too. But every end has its concomitant beginning. With luck their departure will spur reissues of the trio’s voluminous older catalog on CD, or at least on downloads.

Further reading:

• Beaux Arts Trio Bids Farewell at NPR.org
• A Trio Winds Down at the New York Times (registration may be required)

Listening with the Beaux Arts Trio:

• Complete Haydn Trios at Arkivmusic
• Schubert Trios at CD Universe
• Shostakovich Trios at Amazon

Note: The vendor links above are provided solely for your information. WKSU doesn’t endorse these suppliers, nor does it receive any financial benefit from your use of the links.

The Cleveland Orchestra is wrapping up its residency in Salzburg, Austria and leaves next week for the Lucerne Festival. WKSU’s Vivian Goodman talked with the classical music critic of the International Herald Tribune about the orchestra’s rave reviews.

More: http://www.wksu.org/news/story/22270

It’s not opera, but it is the Met, it is Verdi, it is vocal, and you can hear it, live and in person, for free — with (literally) a bit of luck.

Next month (September 2008), James Levine will conduct the Metropolitan Opera Orchestra and Chorus in a free performance of Verdi’s Requiem. Soloists Barbara Frittoli, Olga Borodina, Marcello Giordani, and James Morris will join them. The concert is in memory of tenor Luciano Pavarotti, who died on 6 September 2007.

In most cities you can expect interest in a free concert, of course. However, this is the Met, and it’s New York. Think of the nightmares their ticket office staff must be having.

In an effort to manage the demand, the Opera is conducting a random drawing. To enter, fill out the form at the Met’s website, or call the Met’s ticket service at 212 362-6000. Website and telephone entries will be accepted between 20 August (Wednesday of this week) and 8:00pm, Wednesday 3 September. You can also submit an entry in person at the Met. They’re not accepting mail or email entries, and they’re enforcing a strict one-per-customer limit.

The concert will take place on Thursday 18 September 18 at 5:00pm at The Met Opera House. If your name isn’t drawn for a ticket, you can at least listen live via streaming audio at the Met’s website.

Youngstown-born American composer Donald Erb died last week. Erb, distinguished professor emeritus of composition at the Cleveland Institute of Music, was 81.

Erb was one of the pioneers of electronic music and was especially noted for his works combining electronics with traditional instruments. He played trumpet in high school and was a jazz trumpet player in the years after World War II. Many of his later works employed brass instruments. He had an intense and visceral reaction to the Cold War and Vietnam conflict, as evidenced in such works as Fallout (1964), Fission (1968), and The Purple-Roofed Ethical Suicide Parlor (1972).

Erb attended Kent State University, graduating with a Bachelor of Science degree in 1950. He then studied composition with Marcel Dick at the Cleveland Institute of Music. He also studied with Nadia Boulanger in Paris and with Bernhard Heiden at Indiana University, Bloomington. He received his Doctorate from Indiana in 1964.

Donald Erb was appointed to the CIM faculty in 1952. He was composer in residence there from 1966 to 1981, became distinguished professor of composition in 1987, and moved to emeritus status in 1996.

That same year, Erb suffered cardiac arrest. He had not been active as a composer since.

Erb leaves his wife of 58 years, Lucille; daughter Christine Hoell and son Matthew, both of Columbus; daughter Stephanie Erb of Los Angeles; daughter Janet Carroll of Rockaway, NJ; and nine grandchildren.

The “Rach 3″ (Rachmaninoff’s Third Piano Concerto) is one of the 20th-century masterpieces. Sergei Rachmaninoff composed it on his family’s country estate, Ivanovka. In the photo, he is looking over the final proofs of the concerto at Ivanovka.

The estate had been in the family for generations, but within a decade after these photos were supposedly taken, as was common after the Revolution with aristocratic families in Russia, the Bolsheviks confiscated the estate. After that, Rachmaninoff was never able to go home again, and that is the main reason he ended up in New York.

In New York, Rachmaninoff made do with decorating the place to look like Ivanovka.

He composed the third concerto for a premiere in the U.S. on his first trip here, and as a matter of fact, too rushed for time; he did not have a chance to rehearse it at all before leaving and had to practice it on a silent keyboard while on the ship.

Have you ever wondered about that theory published a few years back about Mozart?  That just by listening to his music you’ll get smarter?
WKSU’s Vivian Goodman chatted about that with the top neuroscientist at Cleveland Clinic.  The Clinic’s collaborating with the Cleveland Orchestra in an international symposium on how music affects our brains.

Listen to this story at WKSU News

 Gary Hanson tells us how the orchestra is embracing visual performances – staged opera at Severance and ballet at Blossom in the coming year.     We also hear about the Orchestra’s upcoming performance at the Salzberg Festival and the continuing competition between Cleveland and the Vienna Phil.

 

Click here to hear the interview with Cleveland Orchestra Executive Director Gary Hansen

Watch the second part of David Roden’s interview with Cleveland Orchestra Music Director Franz Welser-Most as he prepares to conduct a program featuring Dvorak’s “New World Symphony” at the Blossom Festival on Friday, August 8th.

See all four parts of the interview:

Alice Chalifoux and her personal dressing room

If you heard the Cleveland Orchestra at Blossom Music Center Sunday evening (3 August 2008), you heard the legacy of an extraordinary musician and human.

Cleveland Orchestra harpist Trina Struble shared with principal clarinet Franklin Cohen the solo duties in Cleveland-born composer Eric Ewazen’s Ballade. Struble was one of the hundreds of students nurtured by the orchestra’s harpist from 1931 to 1974, Alice Chalifoux. So was Telarc recording artist Yolanda Kondonassis.

Chalifoux died Thursday in Winchester, Virginia, at the age of 100.

Along with some of her students, Chalifoux appeared as part of the Music from Stan Hywet series. These programs were broadcast on WKSU during the 1980s. Of course, she also played in countless Cleveland Orchestra programs. As harpist under five music directors — Nikolai Sokoloff, Artur Rodzinski, Erich Leinsdorf, George Szell and Lorin Maazel — she made many broadcasts and recordings with the orchestra. Hers is the solo harp you hear on the 1967 Boulez recording of Debussy’s Danse sacree et profane.

For some years Chalifoux was the only female member of The Cleveland Orchestra. Faced with concert halls that had no facilities for women, she would use her harp case as a dressing room. By the time she retired in 1974, thirteen other women had joined her in the orchestra’s ranks.

Chalifoux’s teachers included the great Carlos Salzedo. She inherited his school and taught for years at the Salzedo Harp Colony in addition to the Cleveland Institute of Music, the Oberlin Conservatory, and Baldwin-Wallace.

She is survived by a daughter and a niece.